Passport Stamps: Searching the world for a war to call home, a memoir by Sean D. Carberry. Front cover is reminiscent of the front of a US Passport, but the emblem, an eagle has been altered. This eagle has a camera iris over his head, a microphone in one claw, and a bottle in the other, spilling its contents. It is outlined in gold on a dark blue background.

What people are saying about Passport Stamps: Searching the World for a War to Call Home

Rear cover of Passport Stamps
Of immense value to readers with an interest in contemporary battlefield journalism, "Passport Stamps: Searching the World for a War to Call Home" is as inherently fascinating as it is impressively informative. Exceptionally well written, organized and presented, "Passport Stamps" is a unique and unreservedly recommended addition to professional, community, and academic library Journalism collections and supplemental curriculum studies lists. It should be noted for journalism students, academia, and non-specialist general readers with an interest in the subject that "Passport Stamps" is also readily available in a digital book format.

“I wasn’t who I was because I was a journalist, I was a journalist because of who I am.” We need such journalists. Sean Carberry has written a brave book for which there are no passport stamps—the soul highs and lows of intoxicating faith leaping around dangerous combat zones on a years-long adrenalin rush. This is a clarion call for better mental health treatment after a confusing exodus from that world, where writing knits together that which is frayed and keeps indelible experiences on the shelves of story, always.

Passport Stamps brings to mind Gale Garnett’s “We’ll Sing in the Sunshine.” Carberry describes the evanescence of sunshine and darkness followed by the inevitable being “on the way” of a journalist. Carberry’s world is a tattered web of people and places: Serbia, Russia, Egypt, Colombia, Lebanon, Syria, Yemen, Afghanistan—our simultaneously horrifying yet alluring broken globe. Passport Stamps records Carberry’s memories—accounts which make the reader ache for his forgotten life, real or imagined. It is a sharp, raking marvelous travel book, an autobiography rich with detail and ponderings about life.

A lot of journalists come back from covering war and disaster and write the book about what they saw. Sean Carberry tells a different story—about what goes on inside of such a reporter’s mind out there. Hopes, dreams, fears, embarrassment, hard lessons. It’s all there, and it’s quite a yarn.

Passport Stamps tells the story of a wartime journalist earning his stripes... a man’s search for fulfillment, adventure, and companionship. Carberry relays what it was that first motivated him to become a war journalist and then also how the experience changed him as a person who increasingly comes to weigh the costs of his desire to write a good story against his knowledge that in a warzone, a good story means violence, and violence always has a human cost.

If I could write the soundtrack to any book, it would be Passport Stamps. It’s Lawyers, Guns and Money, The Envoy, Roland the Headless Thompson Gunner, I Was in the House When the House Burned Down, Bed of Coals, and Desperados Under the Eaves, and more rolled into one! *

I don’t advocate going full gonzo, although it worked for me. In Passport Stamps, Sean Carberry balances the right amount of gonzo with heady reflections on vulture journalism and the struggle to do right by the victims of human depravity. I always knew back in 2003 during our late-night conversations that Sean was on the side of those getting screwed and that he would become an important voice for sanity in an increasingly mad world. *

Hunter S. Thompson
author of Fear and Loathing in Las Vegas

I don’t often read books, but when I do, I read Passport Stamps. *

The Most Interesting Man in the World

*These are not actual reviews, but if these people were alive today or real, this is what we hope they would say about Passport Stamps.